7.0 英语 · 2023 · 美国,法国,爱尔兰 · 动画片
黛西·雷德利,玛丽昂·歌迪亚,马特·贝里,斯蒂芬·弗雷,娜塔莉·帕拉米迪斯,亚伦·赫弗南,克里斯·戈登,Ben Stranahan,吉姆·卡波比安科,戈捷·巴图埃,Max Baumgarten,Jane Osborn,John Gilkey,Pierre-Luc Granjon,James S. Baker,Daniel Swan,Marion Charrier,Michelle Elmgreen
影片讲述达·芬奇(弗雷配)的自由思想与教皇良十世(贝里配)发生冲突,于是后者将这位伟大的发明家从罗马送至法兰西宫廷,去与更加开明却容易不悦的弗朗索瓦一世、他的妹妹玛格丽特公主(雷德利配)、他的母亲萨伏伊的路易丝相处。他在这里可以自主进行试验、发明飞行装置、制造令人难以置信的机器并研究人体。在玛格丽特公主的参与下,他还希望能回答出终极问题:这一切的意义是什么?该片预计于2021年8月开始制作,并计划于2023年春季上映。
9.0 英语 · 2022 · 爱尔兰 · 欧美剧
简·西摩,丹妮尔·瑞恩,凯文·J·瑞恩,Ciara,O'Callaghan,斯图尔特·格雷厄姆,Rohan,Nedd,Rose,O'Neill,Anthony,Delaney,艾米·胡伯曼,Morgan,C.,Jones,保罗·泰来克,Maghnús,Foy,Conor,Lambert,亚当·弗格斯,Serena,Kennedy,斯蒂芬·霍根,Gina,Costigan,Lynette,Calla
A recently retired English professor discovers a real knack for investigation and cannot help but interfere with the cases assigned to her police detective son.
7.0 其它 · 2014 · 其它 · 恐怖片
Merve Ates,Toygun Ates,Pinar Caglar Genctürk,Aydan Cakir,Gunes Galava,Ebru Kaymakci,Asuman Kostak,Koray Sahinbas,Salih Usta
Öznur is a young and beautiful woman. She has had a platonic love since childhood to Kudret, who is her cousin. Kudret, however, is married to a woman named Nisa and is very happy. Jealous, Öznur uses terrible black magic to change this so that she and Kudret will be together. However, she is not prepared for the evil that this spell unleashes.
6.0 其它 · 2017 · 其它 · 恐怖片
Sebahat Adalar,Mana Alkoy,Merve Ates,Yasemin Büyükagaolu,Muhammet Salih Gonültas,Kivilcim Kaya,Adnan Koç,Yasemin Kurttekin,Mirza Metin,Asli Selvi
Due to financial problems, Yilmaz family moves in their grandmother Saadet's house. But Saadet is not living alone as known. Saadet's old house, which is also a tomb of her deceased husband, is inhabited by beings from another dimension. And this beings don't want anyone in the house, but Saadet.
6.0 英语 · 2009 · 英国 · 科幻片
David Tennant,Michelle Ryan,Lee Evans,Noma Dumezweni,Adam James,Glenn Doherty
A meeting in a London bus with jewel thief Lady Christina takes a turn for the worst for the Doctor when the bus takes a detour to a desert-like planet, where the deadly Swarm awaits.
10.0 英语 · 2012 · 美国 · 欧美剧
基特·威廉逊,吴恬敏,Van Hansis,Matthew McKelligon,John Halbach,Stephen Guarino
Whathappensaftertheworldends?WrittenanddirectedbyawardwinningplaywrightKitWilliamson,”EastSiders”explorestheaftermathofinfidelityonagaycoupleinSilverlake.WhenCal(KitWilliamson)findsoutThom(VanHansis)hasbeencheatingonhimwithJeremy(MatthewMcKelligon),theirrelationshipisturnedupsidedown.Willtheliestearthemapartoraretheyjuststubbornenoughtostaytogetherforever?Drunkenoutburstsanddoublestandardsaboundinthisdarkcomedyaboutthesadandfunnymesseswemakeoutofourlives.Cal’sbestfriendKathy(ConstanceWu)isalwaysthereforhimwithabottleofwhiskeyinherpurse,butshehasherownproblemswithherniceguyboyfriendIan(JohnHalbach),evenifthey’reallinherhead.StephenGuarinogueststarsasapartypromoterthrowingonelastbashbeforetheapocalypse.
10.0 俄语 · 2024 · 俄罗斯 · 欧美剧
玛丽娜·亚历山德罗娃,Anastasia,Diachuk,娜塔莉亚·罗戈日金娜,Mariya,Savitskaya,Veronika,Riapolova,Alesya,Guzko,Alma,Rulas,尤利娅·马尔库克
资深病毒学家安雅·马尔科娃放弃了在莫斯科的个人和职业生活,搬到新西伯利亚的病毒学中心工作。她显然是在试图逃避某种个人的痛苦,但命运在新地方给了她另一个考验 - 因附近一个大型肉联厂非法倾倒行为,导致一种未知病毒的爆发。为了弥补过去的错误,安雅决定亲自调查这个村庄。然而,当地居民不信任现代治疗方法,也没有意识到危险,对病毒学家充满敌意。村庄中,一场新型疫情开始蔓延…
10.0 印地语 Hindi · 2024 · 印度 · 动作片
阿克谢·库玛尔,贾维·卡普尔,泰戈·什罗夫,索娜什·辛哈,普利特维拉吉·苏库玛兰,阿莱娅·F,裘格尔·汗斯拉吉,玛努希·奇希拉,Tahir,Ashraf,Yasmine,Alice,希滕·珀泰尔,安尔·德霍万,Rohed,Khan,Sonia,Goswami,Raj,Awasti,皮托巴什,Bharat,Mistri,Bijou,Thaangjam,Nina,Kumar,Kishore,Bhatt
精英士兵费罗兹和拉凯什将踏上环球之旅, 追回被野心勃勃的复仇科学家卡比尔窃取的武器。对方企图利用人工智能摧毁印度
7.0 印地语Hindi,泰 · 2024 · 印度 · 喜剧片
阿克谢·库玛尔,贾维·卡普尔,泰戈·什罗夫,索娜什·辛哈,普利特维拉吉·苏库玛兰,阿莱娅·F,裘格尔·汗斯拉吉,玛努希·奇希拉,Tahir Ashraf,Yasmine Alice,希滕·珀泰尔,安尔·德霍万,Rohed Khan,Sonia Goswami,Raj Awasti,皮托巴什,Bharat Mistri,Bijou Thaangjam,Nina Kumar,Kishore Bhatt
精英士兵费罗兹和拉凯什将踏上环球之旅, 追回被野心勃勃的复仇科学家卡比尔窃取的武器。对方企图利用人工智能摧毁印度
7.0 英语 · 2023 · 美国 · 欧美剧
丽贝卡·弗格森,大卫·奥伊罗,蒂姆·罗宾斯,科曼,拉什达·琼斯,哈丽特·瓦尔特,阿维·纳什,才那扎·乌奇,马诺伊·阿南德,露丝·霍洛克斯,Rita,McDonald,Damper,里克·戈麦斯,海伦马克苏德,哈隆·拉菲克,Daniel,Osgood,Mariia,Legun,Babita,Christie,Raja,Babar,Khan,亨利·加勒特,阿图尔·夏尔马,丹尼尔·厄根,罗德里克·希尔,
该剧基于休·豪伊所著同名畅销科幻系列小说改编,设定在被破坏、有毒的未来,数百层楼深的一个巨大地下筒仓中存在一个 社区,男人和女人生活在一个充满规章制度的社会里,凡是和“出去”有关的一切都成为致命禁忌。
8.0 法语 · 2023 · 法国 · 喜剧片
皮奥·马麦,乔纳森·科恩,诺米·梅兰特,马修·阿马立克,格雷戈瓦·勒普兰斯-林盖,卢安娜·巴杰拉米,Sandrine Briard,乌萨马·赫达姆,达尼埃莱·莱布伦,亚历山德拉·罗斯,让-弗朗索瓦·凯雷,Ga?a Warnant,玛戈·巴席恩,查利·尼尔森,Benjamin Georjon,艾萨图·迪亚诺·萨格娜,Chama?l Kahaloun,Julia Vivoni,Khereddine E
Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by bee...
10.0 其它 · 2023 · 其它 · 剧情片
简·比洛,奥利维亚·罗斯,汉斯·齐施勒,Gottfried Breitfuss,大卫·本奈特,Philippe Graber,伊摩根·蔻格,Emanuel Waldburg-Zeil,Vivienne Bayley,Ladina von Frisching,Dirk Böhling,Marie Goyette,Paul Wolff-Plottegg,Peter Hottinger,Dana Her
德国导演提姆克格入选威尼斯影展正式竞赛的《爱的时空效应》,大玩图像叙事,故事由一场在瑞士阿尔卑斯山举办的物理学盛会展开,苦心专研旷世学说的博士,邂逅谜一般的女子,她竟对他无所不知;诡云当空、怪事频传,平行宇宙奇遇即将一发不可收拾。视频从复古黑白摄影、配乐到剪辑,维妙维肖仿拟经典老片。黑色电影风格混搭山林冒险类型,再叠加法国新浪潮,重现希区考克与大卫林区的惊悚神韵,搬演一出阿尔卑斯山脚下的《暗》。
7.0 英语 · 2023 · 美国 · 动作片
格伦·鲍威尔,阿德里娅·阿霍纳,瑞塔·希尔丽夫,奥斯丁·阿梅里奥,莫莉·伯纳德,莫甘娜·肖,里奇·蒙哥马利,Kate,Adair,Mike,Markoff,Jo-Ann,Robinson,Jordan,Salloum,基姆·巴蒂斯特,布莱恩特·卡罗尔,埃文·霍茲曼,朱莉娅·霍特,理查德·罗比查乌克斯,格拉伦·布莱恩特·班克斯,罗克茜·里韦拉,埃莉诺·T·斯雷特,Beth,Bartley
荣获奥斯卡金像奖提名的导演理查德·林克莱特执导的这部光鲜亮丽的新黑色影片由格伦·鲍威尔主演。他在片中饰演刻板的教授加里·约翰逊 — 新奥尔良警察局的一名兼职假杀手。加里有着异乎寻常的天赋,擅长伪装成不同的人,来抓捕那些希望击退敌人的倒霉蛋。当他被一个潜在罪犯吸引时,他陷入了道德困境:这个罪犯是一个名叫麦迪逊(阿德里娅·阿霍纳饰)的美丽年轻女子。当麦迪逊爱上加里扮演的杀手角色之一(神秘性感的罗恩)时,他们的暧昧关系引发了一系列的连锁反应,包括演戏、欺骗和不断升级的赌注。《Hit Man》由林克莱特和鲍威尔共同创作,改编自一个令人难以置信的真实故事,是一部巧妙描写身份的存在主义喜剧。
6.0 英语,意大利语,法语 · 1953 · 意大利,美国 · 爱情片
珍妮弗·琼斯,蒙哥马利·克利夫特,吉诺·塞尔维,理查德·贝梅尔,Gino Anglani,Bill Barker,Oscar Blando,Mariolina Bovo,南多·布鲁诺,梅莫·卡罗泰努托,玛丽亚-皮娅·卡西利奥,Giovanni Corporale,Claudio Del Pino,Ciro Di Castro,Pasquale Di Filippo,Charles Fawcett,
玛丽(珍妮弗·琼斯JenniferJones饰)在意大利度假时邂逅了名为乔班尼(蒙哥马利·克利夫特MontgomeryClift饰)的男子,两人之间相互吸引,很快就走到了一起,相互陪伴度过了快乐的两天。然而,快乐的日子都是短暂的,玛丽即将离开意大利前往巴黎,乔班尼劝说玛丽留下来,留在他的身边,可是固执的玛丽却去意已决,这让乔班尼非常的愤怒,他失手打了玛丽。悲伤的玛丽准备搭上前往巴黎的火车,就在火车快要开动的时候,乔班尼出现了,他不顾危险穿越轨道来到玛丽的身边,他的举动感动了玛丽,两人重修旧好。虽然错过了这一班火车,但下一班火车很快就来了,留给两人的时间越来越短了。
6.0 英语 · 2023 · 美国 · 喜剧片
格伦·鲍威尔,阿德里娅·阿霍纳,瑞塔·希尔丽夫,奥斯丁·阿梅里奥,莫莉·伯纳德,莫甘娜·肖,里奇·蒙哥马利,Kate Adair,Mike Markoff,Jo-Ann Robinson,Jordan Salloum,基姆·巴蒂斯特,布莱恩特·卡罗尔,埃文·霍茲曼,朱莉娅·霍特,理查德·罗比查乌克斯,格拉伦·布莱恩特·班克斯,罗克茜·里韦拉,埃莉诺·T·斯雷特,Beth Bartley
荣获奥斯卡金像奖提名的导演理查德·林克莱特执导的这部光鲜亮丽的新黑色影片由格伦·鲍威尔主演。他在片中饰演刻板的教授加里·约翰逊 — 新奥尔良警察局的一名兼职假杀手。加里有着异乎寻常的天赋,擅长伪装成不同的人,来抓捕那些希望击退敌人的倒霉蛋。当他被一个潜在罪犯吸引时,他陷入了道德困境:这个罪犯是一个名叫麦迪逊(阿德里娅·阿霍纳饰)的美丽年轻女子。当麦迪逊爱上加里扮演的杀手角色之一(神秘性感的罗恩)时,他们的暧昧关系引发了一系列的连锁反应,包括演戏、欺骗和不断升级的赌注。《Hit Man》由林克莱特和鲍威尔共同创作,改编自一个令人难以置信的真实故事,是一部巧妙描写身份的存在主义喜剧。
8.0 英语 · 1964 · 英国 · 战争片
德克·博加德,汤姆·康特奈,莱奥·麦凯恩,巴里·福斯特,彼得·科普利,詹姆斯·维利尔斯,杰瑞米·斯宾塞,Barry Justice,Vivian Matalon,基思·巴克利 ,James Hunter,Larry Taylor
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.